PLATO,

CHAPTER XIII.

HIPPIAS MAJOR — HIPPIAS MINOR.

Hippias Major — situation supposed — character of the dialogue. Sarcasm and mockery against Hippias.

Both these two dialogues are carried on between Sokrates and the Eleian Sophist Hippias. The general conception of Hippias — described as accomplished, eloquent, and successful, yet made to say vain and silly things — is the same in both dialogues: in both also the polemics of Sokrates against him are conducted in a like spirit, of affected deference mingled with insulting sarcasm. Indeed the figure assigned to Hippias is so contemptible, that even an admiring critic like Stallbaum cannot avoid noticing the “petulans pene et proterva in Hippiam oratio,” and intimating that Plato has handled Hippias more coarsely than any one else. Such petulance Stallbaum attempts to excuse by saying that the dialogue is a youthful composition of Plato:1 while Schleiermacher numbers it among the 34reasons for suspecting the dialogue, and Ast, among the reasons for declaring positively that Plato is not the author.2 This last conclusion I do not at all accept: nor even the hypothesis of Stallbaum, if it be tendered as an excuse for improprieties of tone: for I believe that the earliest of Plato’s dialogues was composed after he was twenty-eight years of age — that is, after the death of Sokrates. It is however noway improbable, that both the Greater and Lesser Hippias may have been among Plato’s earlier compositions. We see by the Memorabilia of Xenophon that there was repeated and acrimonious controversy between Sokrates and Hippias: so that we may probably suppose feelings of special dislike, determining Plato to compose two distinct dialogues, in which an imaginary Hippias is mocked and scourged by an imaginary Sokrates.

Real debate between the historical Sokrates and Hippias in the Xenophontic Memorabilia — subject of that debate.

One considerable point in the Hippias Major appears to have a bearing on the debate between Sokrates and Hippias in the Xenophontic Memorabilia: in which debate, Hippias taunts Sokrates with always combating and deriding the opinions of others, while evading to give opinions of his own. It appears that some antecedent debates between the two had turned upon the definition of the Just, and that on these occasions Hippias had been the respondent, Sokrates the objector. Hippias professes to have reflected upon these debates, and to be now prepared with a definition which neither Sokrates nor any one else can successfully assail, but he will not say what the definition is, until Sokrates has laid down one of his own. In reply to this challenge, Sokrates declares the Just to be equivalent to the Lawful or Customary: he defends this against various 35objections of Hippias, who concludes by admitting it.3 Probably this debate, as reported by Xenophon, or something very like it, really took place. If so, we remark with surprise the feebleness of the objections of Hippias, in a case where Sokrates, if he had been the objector, would have found such strong ones — and the feeble replies given by Sokrates, whose talent lay in starting and enforcing difficulties, not in solving them.4 Among the remarks which Sokrates makes in illustration to Hippias, one is — that Lykurgus had ensured superiority to Sparta by creating in the Spartans a habit of implicit obedience to the laws.5 Such is the character of the Xenophontic debate.

Opening of the Hippias Major — Hippias describes the successful circuit which he had made through Greece, and the renown as well as the gain acquired by his lectures.

Here, in the beginning of the Hippias Major, the Platonic Sokrates remarks that Hippias has been long absent from Athens: which absence, the latter explains, by saying that he has visited many cities in Greece, giving lectures with great success, and receiving high pay: and that especially he has often visited Sparta, partly to give lectures, but partly also to transact diplomatic business for his countrymen the Eleians, who trusted him more than any one else for such duties. His lectures (he says) were eminently instructive and valuable for the training of youth: moreover they were so generally approved, that even from a small Sicilian town called Inykus, he obtained a considerable sum in fees.

Hippias had met with no success at Sparta. Why the Spartans did not admit his instructions — their law forbids.

Upon this Sokrates asks — In which of the cities were your gains the largest: probably at Sparta? Hip. — No; I received nothing at all at Sparta. Sokr. — How? You amaze me! Were not your lectures calculated to improve the Spartan youth? or did not the Spartans desire to have their youth improved? or had they no money? Hip. — Neither one nor the other. The Spartans, like others, desire the improvement of their youth: they also have plenty of money: moreover 36my lectures were very beneficial to them as well as to the rest.6 Sokr. — How could it happen then, that at Sparta, a city great and eminent for its good laws, your valuable instructions were left unrewarded; while you received so much at the inconsiderable town of Inykus? Hip. — It is not the custom of the country, Sokrates, for the Spartans to change their laws, or to educate their sons in a way different from their ordinary routine. Sokr. — How say you? It is not the custom of the country for the Spartans to do right, but to do wrong? Hip. — I shall not say that, Sokrates. Sokr. — But surely they would do right, in educating their children better and not worse? Hip. — Yes, they would do right: but it is not lawful for them to admit a foreign mode of education. If any one could have obtained payment there for education, I should have obtained a great deal; for they listen to me with delight and applaud me: but, as I told you, their law forbids.

Question, What is law? The law-makers always aim at the Profitable, but sometimes fail to attain it. When they fail, they fail to attain law. The lawful is the Profitable: the Unprofitable is also unlawful.

Sokr. — Do you call law a hurt or benefit to the city? Hip. — Law is enacted with a view to benefit: but it sometimes hurts if it be badly enacted.7 Sokr. — But what? Do not the enactors enact it as the maximum of good, without which the citizens cannot live a regulated life? Hip. — Certainly: they do so. Sokr. — Therefore, when those who try to enact laws miss the attainment of good, they also miss the lawful and law itself. How say you? Hip. — They do so, if you speak with strict propriety: but such is not the language which men commonly use. Sokr. — What men? the knowing? or the ignorant? Hip. — The Many. Sokr. — The Many; is it they who know what truth is? Hip. — Assuredly not. Sokr. — But surely those who do know, account the profitable to be in truth more lawful than the unprofitable, to all men. Don’t you admit this? Hip. — Yes, I admit they account it so in truth. Sokr. — Well, and it is so, too: the truth is as the knowing men account it. Hip. — Most certainly. Sokr. — Now you affirm, that it is more profitable to the Spartans to be educated according to your scheme, foreign as it is, than according to their own native scheme. Hip. — I affirm it, 37and with truth too. Sokr. — You affirm besides, that things more profitable are at the same time more lawful? Hip. — I said so. Sokr. — According to your reasoning, then, it is more lawful for the Spartan children to be educated by Hippias, and more unlawful for them to be educated by their fathers — if in reality they will be more benefited by you? Hip. — But they will be more benefited by me. Sokr. — The Spartans therefore act unlawfully, when they refuse to give you money and to confide to you their sons? Hip. — I admit that they do: indeed your reasoning seems to make in my favour, so that I am noway called upon to resist it. Sokr. — We find then, after all, that the Spartans are enemies of law, and that too in the most important matters — though they are esteemed the most exemplary followers of law.8

Comparison of the argument of the Platonic Sokrates with that of the Xenophontic Sokrates.

Perhaps Plato intended the above argument as a derisory taunt against the Sophist Hippias, for being vain enough to think his own tuition better than that of the Spartan community. If such was his intention, the argument might have been retorted against Plato himself, for his propositions in the Republic and Leges: and we know that the enemies of Plato did taunt him with his inability to get these schemes adopted in any actual community. But the argument becomes interesting when we compare it with the debate before referred to in the Xenophontic Memorabilia, where Sokrates maintains against Hippias that the Just is equivalent to the Lawful. In that Xenophontic dialogue, all the difficulties which embarrass this explanation are kept out of sight, and Sokrates is represented as gaining an easy victory over Hippias. In this Platonic dialogue, the equivocal use of the word νόμιμον is expressly adverted to, and Sokrates reduces Hippias to a supposed absurdity, by making him pronounce the Spartans to be enemies of law: παρανομούς bearing a double sense, and the proposition being true in one sense, false in the other. In the argument of the Platonic Sokrates, a law which does not attain its intended purpose of benefiting the 38community, is no law at all, — not lawful:9 so that we are driven back again upon the objections of Alkibiades against Perikles (in the Xenophontic Memorabilia) in regard to what constitutes a law. In the argument of the Xenophontic Sokrates, law means a law actually established, by official authority or custom — and the Spartans are produced as eminent examples of a lawfully minded community. As far as we can assign positive opinion to the Platonic Sokrates in the Hippias Major, he declares that the profitable or useful (being that which men always aim at in making law) is The Lawful, whether actually established or not: and that the unprofitable or hurtful (being that which men always intend to escape) is The Unlawful, whether prescribed by any living authority or not. This (he says) is the opinion of the wise men who know: though the ignorant vulgar hold the contrary opinion. The explanation of τὸ δίκαιον given by the Xenophontic Sokrates (τὸ δίκαιον = τὸ νόμιμον), would be equivalent, if we construe τὸ νόμιμον in the sense of the Platonic Sokrates (in Hippias Major) as an affirmation that The Just was the generally useful — Τὸ δίκαιον = τὸ κοινῇ σύμφορον.

The Just or Good is the beneficial or profitable. This is the only explanation which Plato ever gives and to this he does not always adhere.

There exists however in all this, a prevalent confusion between Law (or the Lawful) as actually established, and Law (or the Lawful) as it ought to be established, in the judgment of the critic, or of those whom he follows: that is (to use the phrase of Mr. Austin in his ‘Province of Jurisprudence’) Law as it would be, if it conformed to its assumed measure or test. In the first of these senses, τὸ νόμιμον is not one and the same, but variable according to place and time — one thing at Sparta, another thing elsewhere: accordingly it would not satisfy the demand of Plato’s mind, when he asks for an explanation of τὸ δίκαιον. It is an explanation in the second of the two senses which Plato seeks — a common measure or test applicable universally, at all times and places. In so far as he ever finds one, it is that which I have mentioned above as delivered by the Platonic Sokrates in this dialogue: viz., the Just or Good, that which ought to be the measure or test of Law and Positive 39Morality, is, the beneficial or profitable. This (I repeat) is the only approach to a solution which we ever find in Plato. But this is seldom clearly enunciated, never systematically followed out, and sometimes, in appearance, even denied.

Lectures of Hippias at Sparta not upon geometry, or astronomy, &c., but upon the question — What pursuits are beautiful, fine, and honourable for youth.

I resume the thread of the Hippias Major. Sokrates asks Hippias what sort of lectures they were that he delivered with so much success at Sparta? The Spartans (Hippias replies) knew nothing and cared nothing about letters, geometry, arithmetic, astronomy: but they took delight in hearing tales about heroes, early ancestors, foundation-legends of cities, &c., which his mnemonic artifice enabled him to deliver.10 The Spartans delight in you (observes Sokrates) as children delight in old women’s tales. Yes (replies Hippias), but that is not all: I discoursed to them also, recently, about fine and honourable pursuits, much to their admiration: I supposed a conversation between Nestor and Neoptolemus, after the capture of Troy, in which the veteran, answering a question put by his youthful companion, enlarged upon those pursuits which it was fine, honourable, beautiful for a young man to engage in. My discourse is excellent, and obtained from the Spartans great applause. I am going to deliver it again here at Athens, in the school-room of Pheidostratus, and I invite you, Sokrates, to come and hear it, with as many friends as you can bring.11

Question put by Sokrates, in the name of a friend in the background, who has just been puzzling him with it — What is the Beautiful?

I shall come willingly (replied Sokrates). But first answer me one small question, which will rescue me from a present embarrassment. Just now, I was shamefully puzzled in conversation with a friend, to whom I had been praising some things as honourable and beautiful, — blaming other things as mean and ugly. He surprised me by the interrogation — How do you know, Sokrates, what things are beautiful, and what are ugly? Come now, can you tell me, What is the Beautiful? I, in my stupidity, was altogether puzzled, and could not answer the question. But after I had parted from 40him, I became mortified and angry with myself; and I vowed that the next time I met any wise man, like you, I would put the question to him, and learn how to answer it; so that I might be able to renew the conversation with my friend. Your coming here is most opportune. I entreat you to answer and explain to me clearly what the Beautiful is; in order that I may not again incur the like mortification. You can easily answer: it is a small matter for you, with your numerous attainments.

Hippias thinks the question easy to answer.

Oh — yes — a small matter (replies Hippias); the question is easy to answer. I could teach you to answer many questions harder than that: so that no man shall be able to convict you in dialogue.12

Sokrates then proceeds to interrogate Hippias, in the name of the absentee, starting one difficulty after another as if suggested by this unknown prompter, and pretending to be himself under awe of so impracticable a disputant.

Justice, Wisdom, Beauty must each be something. What is Beauty, or the Beautiful?

All persons are just, through Justice — wise, through Wisdom — good, through Goodness or the Good — beautiful, through Beauty or the Beautiful. Now Justice, Wisdom, Goodness, Beauty or the Beautiful, must each be something. Tell me what the Beautiful is?

Hippias does not understand the question. He answers by indicating one particularly beautiful object.

Hippias does not conceive the question. Does the man want to know what is a beautiful thing? Sokr. — No; he wants to know what is The Beautiful. Hip. — I do not see the difference. I answer that a beautiful maiden is a beautiful thing. No one can deny that.13

Sokr. — My disputatious friend will not accept your answer. He wants you to tell him, What is the Self-Beautiful? — that Something through which all beautiful things become beautiful. Am I to tell him, it is because a beautiful maiden is a beautiful thing? He will say — Is not a beautiful mare a beautiful thing also? and a beautiful lyre as well? Hip. — Yes; — both of them are so. Sokr. — Ay, and a beautiful pot, my friend will add, well moulded and rounded by a skilful potter, is a beautiful thing too. Hip. — How, Sokrates? Who can your 41disputatious friend be? Some ill-taught man, surely; since he introduces such trivial names into a dignified debate. Sokr. — Yes; that is his character: not polite, but vulgar, anxious for nothing else but the truth. Hip. — A pot, if it be beautifully made, must certainly be called beautiful; yet still, all such objects are unworthy to be counted as beautiful, if compared with a maiden, a mare, or a lyre.

Cross-questioning by Sokrates — Other things also are beautiful; but each thing is beautiful only by comparison, or under some particular circumstances — it is sometimes beautiful, sometimes not beautiful.

Sokr. — I understand. You follow the analogy suggested by Herakleitus in his dictum — That the most beautiful ape is ugly, if compared with the human race. So you say, the most beautiful pot is ugly, when compared with the race of maidens. Hip — Yes. That is my meaning. Sokr. — Then my friend will ask you in return, whether the race of maidens is not as much inferior to the race of Gods, as the pot to the maiden? whether the most beautiful maiden will not appear ugly, when compared to a Goddess? whether the wisest of men will not appear an ape, when compared to the Gods, either in beauty or in wisdom.14 Hip. — No one can dispute it. Sokr. — My friend will smile and say — You forget what was the question put. I asked you, What is the Beautiful? — the Self-Beautiful: and your answer gives me, as the Self-Beautiful, something which you yourself acknowledge to be no more beautiful than ugly? If I had asked you, from the first, what it was that was both beautiful and ugly, your answer would have been pertinent to the question. Can you still think that the Self-Beautiful, — that Something, by the presence of which all other things become beautiful, — is a maiden, or a mare, or a lyre?

Second answer of Hippias — Gold, is that by the presence of which all things become beautiful — scrutiny applied to the answer. Complaint by Hippias about vulgar analogies.

Hip. — I have another answer to which your friend can take no exception. That, by the presence of which all things become beautiful, is Gold. What was before ugly, will (we all know), when ornamented with gold, appear beautiful. Sokr. — You little know what sort of man my friend is. He will laugh at your answer, and ask you — Do you think, then, that Pheidias did not know his profession as a sculptor? How came 42he not to make the statue of Athênê all gold, instead of making (as he has done) the face, hands, and feet of ivory, and the pupils of the eyes of a particular stone? Is not ivory also beautiful, and particular kinds of stone? Hip. — Yes, each is beautiful, where it is becoming. Sokr. — And ugly, where it is not becoming.15 Hip. — Doubtless. I admit that what is becoming or suitable, makes that to which it is applied appear beautiful: that which is not becoming or suitable, makes it appear ugly. Sokr. — My friend will next ask you, when you are boiling the beautiful pot of which we spoke just now, full of beautiful soup, what sort of ladle will be suitable and becoming — one made of gold, or of fig-tree wood? Will not the golden ladle spoil the soup, and the wooden ladle turn it out good? Is not the wooden ladle, therefore, better than the golden? Hip. — By Hêraklês, Sokrates! what a coarse and stupid fellow your friend is! I cannot continue to converse with a man who talks of such matters. Sokr. — I am not surprised that you, with your fine attire and lofty reputation, are offended with these low allusions. But I have nothing to spoil by intercourse with this man; and I entreat you to persevere, as a favour to me. He will ask you whether a wooden soup-ladle is not more beautiful than a ladle of gold, — since it is more suitable and becoming? So that though you said — The Self-Beautiful is Gold — you are now obliged to acknowledge that gold is not more beautiful than fig-tree wood?

Third answer of Hippias — questions upon it — proof given that it fails of universal application.

Hip. — I acknowledge that it is so. But I have another answer ready which will silence your friend. I presume you wish me to indicate as The Beautiful, something which will never appear ugly to any one, at any time, or at any place.16 Sokr. — That is exactly what I desire. Hip. — Well, I affirm, then, that to every man, always, and everywhere, the following is most beautiful. A man being healthy, rich, honoured by the Greeks, having come to old age and buried his own parents well, to be himself buried by his own sons well and magnificently. Sokr. — Your answer sounds imposing; but my friend will laugh it to scorn, and will remind me again, that his question pointed to the 43Beautiful itself17 — something which, being present as attribute in any subject, will make that subject (whether stone, wood, man, God, action, study, &c.) beautiful. Now that which you have asserted to be beautiful to every one everywhere, was not beautiful to Achilles, who accepted by preference the lot of dying before his father — nor is it so to the heroes, or to the sons of Gods, who do not survive or bury their fathers. To some, therefore, what you specify is beautiful — to others it is not beautiful but ugly: that is, it is both beautiful and ugly, like the maiden, the lyre, the pot, on which we have already remarked. Hip. — I did not speak about the Gods or Heroes. Your friend is intolerable, for touching on such profanities.18 Sokr. — However, you cannot deny that what you have indicated is beautiful only for the sons of men, and not for the sons of Gods. My friend will thus make good his reproach against your answer. He will tell me, that all the answers, which we have as yet given, are too absurd. And he may perhaps at the same time himself suggest another, as he sometimes does in pity for my embarrassment.

Farther answers, suggested by Sokrates himself — 1. The Suitable or Becoming — objections thereunto — it is rejected.

Sokrates then mentions, as coming from hints of the absent friend, three or four different explanations of the Self-Beautiful: each of which, when first introduced, he approves, and Hippias approves also: but each of which he proceeds successively to test and condemn. It is to be remarked that all of them are general explanations: not consisting in conspicuous particular instances, like those which had come from Hippias. His explanations are the following: —

1. The suitable or becoming (which had before been glanced at). It is the suitable or becoming which constitutes the Beautiful.19

To this Sokrates objects: The suitable, or becoming, is what causes objects to appear beautiful — not what causes them to be really beautiful. Now the latter is that which we are seeking. The two conditions do not always go together. Those objects, institutions, and pursuits which are really beautiful (fine, honourable) very often do not appear so, either to individuals or to 44cities collectively; so that there is perpetual dispute and fighting on the subject. The suitable or becoming, therefore, as it is certainly what makes objects appear beautiful, so it cannot be what makes them really beautiful.20

2. The useful or profitable — objections — it will not hold.

2. The useful or profitable. — We call objects beautiful, looking to the purpose which they are calculated or intended to serve: the human body, with a view to running, wrestling, and other exercises — a horse, an ox, a cock, looking to the service required from them — implements, vehicles on land and ships at sea, instruments for music and other arts all upon the same principle, looking to the end which they accomplish or help to accomplish. Laws and pursuits are characterised in the same way. In each of these, we give the name Beautiful to the useful, in so far as it is useful, when it is useful, and for the purpose to which it is useful. To that which is useless or hurtful, in the same manner, we give the name Ugly.21

Now that which is capable of accomplishing each end, is useful for such end: that which is incapable, is useless. It is therefore capacity, or power, which is beautiful: incapacity, or impotence, is ugly.22

Most certainly (replies Hippias): this is especially true in our cities and communities, wherein political power is the finest thing possible, political impotence, the meanest.

Yet, on closer inspection (continues Sokrates), such a theory will not hold. Power is employed by all men, though unwillingly, for bad purposes: and each man, through such employment of his power, does much more harm than good, beginning with his childhood. Now power, which is useful for the doing of evil, can never be called beautiful.23

You cannot therefore say that Power, taken absolutely, is beautiful. You must add the qualification — Power used for the production of some good, is beautiful. This, then, would be the profitable — the cause or generator of good.24 But the cause is different from its effect: the generator or father is different 45from the generated or son. The beautiful would, upon this view, be the cause of the good. But then the beautiful would be different from the good, and the good different from the beautiful? Who can admit this? It is obviously wrong: it is the most ridiculous theory which we have yet hit upon.25

3. The Beautiful is a variety of the Pleasurable — that which is received through the eye and the ear.

3. The Beautiful is a particular variety of the agreeable or pleasurable: that which characterises those things which cause pleasure to us through sight and hearing. Thus the men, the ornaments, the works of painting or sculpture, upon which we look with admiration,26 are called beautiful: also songs, music, poetry, fable, discourse, in like manner; nay even laws, customs, pursuits, which we consider beautiful, might be brought under the same head.27

Objections to this last — What property is there common to both sight and hearing, which confers upon the pleasures of these two senses the exclusive privilege of being beautiful?

The objector, however, must now be dealt with. He will ask us — Upon what ground do you make so marked a distinction between the pleasures of sight and hearing, and other pleasures? Do you deny that these others (those of taste, smell, eating, drinking, sex) are really pleasures? No, surely (we shall reply); we admit them to be pleasures, — but no one will tolerate us in calling them beautiful: especially the pleasures of sex, which as pleasures are the greatest of all, but which are ugly and disgraceful to behold. He will answer — I understand you: you are ashamed to call these pleasures beautiful, because they do not seem so to the multitude: but I did not ask you, what seems beautiful to the multitude — I asked you, what is beautiful.28 You mean to affirm, that all pleasures which do not belong to sight and hearing, are not beautiful: Do you mean, all which do 46not belong to both? or all which do not belong to one or the other? We shall reply — To either one of the two — or to both the two. Well! but, why (he will ask) do you single out these pleasures of sight and hearing, as beautiful exclusively? What is there peculiar in them, which gives them a title to such distinction? All pleasures are alike, so far forth as pleasures, differing only in the more or less. Next, the pleasures of sight cannot be considered as beautiful by reason of their coming through sight — for that reason would not apply to the pleasures of hearing: nor again can the pleasures of hearing be considered as beautiful by reason of their coming through hearing.29 We must find something possessed as well by sight as by hearing, common to both, and peculiar to them, — which confers beauty upon the pleasures of both and of each. Any attribute of one, which does not also belong to the other, will not be sufficient for our purpose.30 Beauty must depend upon some essential characteristic which both have in common.31 We must therefore look out for some such characteristic, which belongs to both as well as to each separately.

Answer — There is, belonging to each and to both in common, the property of being innocuous and profitable pleasures — upon this ground they are called beautiful.

Now there is one characteristic which may perhaps serve. The pleasures of sight and hearing, both and each, are distinguished from other pleasures by being the most innocuous and the best.32 It is for this reason that we call them beautiful. The Beautiful, then, is profitable pleasure — or pleasure producing good — for the profitable is, that which produces good.33

This will not hold — the Profitable is the cause of Good, and is therefore different from Good — to say that the beautiful is the Profitable, is to say that it is different from Good but this has been already declared inadmissible.

Nevertheless the objector will not be satisfied even with this. He will tell us — You declare the Beautiful to be Pleasure producing good. But we before 47agreed, that the producing agent or cause is different from what is produced or the effect. Accordingly, the Beautiful is different from the good: or, in other words, the Beautiful is not good, nor is the Good beautiful — if each of them is a different thing.34 Now these propositions we have already pronounced to be inadmissible, so that your present explanation will not stand better than the preceding.

Remarks upon the Dialogue — the explanations ascribed to Hippias are special conspicuous examples: those ascribed to Sokrates are attempts to assign some general concept.

Thus finish the three distinct explanations of Τὸ καλὸν, which Plato in this dialogue causes to be first suggested by Sokrates, successively accepted by Hippias, and successively refuted by Sokrates. In comparing them with the three explanations which he puts into the mouth of Hippias, we note this distinction: That the explanations proposed by Hippias are conspicuous particular exemplifications of the Beautiful, substituted in place of the general concept: as we remarked, in the Dialogue Euthyphron, that the explanations of the Holy given by Euthyphron in reply to Sokrates, were of the same exemplifying character. On the contrary, those suggested by Sokrates keep in the region of abstractions, and seek to discover some more general concept, of which the Beautiful is only a derivative or a modification, so as to render a definition of it practicable. To illustrate this difference by the language of Dr. Whewell respecting many of the classifications in Natural History, we may say — That according48 to the views here represented by Hippias, the group of objects called beautiful is given by Type, not by Definition:35 while Sokrates proceeds like one convinced that some common characteristic attribute may be found, on which to rest a Definition. To search for Definitions of general words, was (as Aristotle remarks) a novelty, and a valuable novelty, introduced by Sokrates. His contemporaries, the Sophists among them, were not accustomed to it: and here the Sophist Hippias (according to Plato’s frequent manner) is derided as talking nonsense,36 because, when asked for an explanation of The Self-Beautiful, he answers by citing special instances of beautiful objects. But we must remember, first, that Sokrates, who is introduced as trying several general explanations of the Self-Beautiful, does not find one which will stand: next, that even if one such could be found, particular instances can never be dispensed with, in the way of illustration; lastly, that there are many general terms (the Beautiful being one of them) of which no definitions can be provided, and which can only be imperfectly explained, by enumerating a variety of objects to which the term in question is applied.37 Plato 49thought himself entitled to objectivise every general term, or to assume a substantive Ens, called a Form or Idea, corresponding to it. This was a logical mistake quite as serious as any which we know to have been committed by Hippias or any other Sophist. The assumption that wherever there is a general term, there must also be a generic attribute corresponding to it — is one which Aristotle takes much pains to negative: he recognises terms of transitional analogy, as well as terms equivocal: while he also especially numbers the Beautiful among equivocal terms.38

Analogy between the explanations here ascribed to Sokrates, and those given by the Xenophontic Sokrates in the Memorabilia.

We read in the Xenophontic Memorabilia a dialogue between Sokrates and Aristippus, on this same subject — What is the Beautiful, which affords a sort of contrast between the Dialogues of Search and those of Exposition. In the Hippias Major, we have the problem approached on several different sides, various suggestions being proposed, and each successively disallowed, on reasons shown, as failures: while in the Xenophontic dialogue, Sokrates declares an affirmative doctrine, and stands to it — but no pains are taken to bring out the objections against it and rebut them. The doctrine is, that the Beautiful is coincident with the Good, and that both of them are resolvable into the Useful: thus all beautiful objects, unlike as they may be to the eye or touch, bear that name because they have in common the attribute of conducing to one and the same purpose — the security, advantage, or gratification, of man, in some form or other. This is one of the three explanations broached by the Platonic Sokrates, and afterwards refuted by him, in the Hippias: while his declaration (which Hippias puts aside as unseemly) — that a pot and a wooden soup-ladle conveniently made are beautiful is perfectly in harmony with that of the Xenophontic Sokrates, that a basket for carrying dung is beautiful, if it performs its work well.39 We must moreover 50remark, that the objections whereby the Platonic Sokrates, after proposing the doctrine and saying much in its favour, finds himself compelled at last to disallow it — these objections are not produced and refuted, but passed over without notice, in the Xenophontic dialogue, wherein Sokrates affirms it decidedly.40 The 51affirming Sokrates, and the objecting Sokrates, are not on the stage at once.

The concluding observations of this dialogue, interchanged between Hippias and Sokrates, are interesting as bringing out the antithesis between rhetoric and dialectic — between the concrete and exemplifying, as contrasted with the abstract and analytical. Immediately after Sokrates has brought his own third suggestion to an inextricable embarrassment, Hippias remarks —

Concluding thrust exchanged between Hippias and Sokrates.

“Well, Sokrates, what do you think now of all these reasonings of yours? They are what I declared them to be just now, — scrapings and parings of discourse, divided into minute fragments. But the really beautiful and precious acquirement is, to be able to set out well and finely a regular discourse before the Dikastery or the public assembly, to persuade your auditors, and to depart carrying with you not the least but the greatest of all prizes — safety for yourself, your property, and your friends. These are the real objects to strive for. Leave off your petty cavils, that you may not look like an extreme simpleton, handling silly trifles as you do at present.”41

“My dear Hippias,” (replies Sokrates) “you are a happy man, since you know what pursuits a man ought to follow, and have yourself followed them, as you say, with good success. But I, as it seems, am under the grasp of an unaccountable fortune: for I am always fluctuating and puzzling myself, and when I lay my puzzle before you wise men, I am requited by you with hard words. I am told just what you have now been telling me, that I busy myself about matters silly, petty, and worthless. When on the contrary, overborne by your authority, I declare as you do, that it is the finest thing possible to be able to set out well and beautifully a regular discourse before the public assembly, and bring it to successful conclusion — then there are other men at hand who heap upon me bitter reproaches: especially that one man, my nearest kinsman and inmate, who never omits to convict me. When on my return home he hears me repeat what you have told me, he asks, if I am not ashamed of my impudence in talking about beautiful (honourable) pursuits, when I am so 52manifestly convicted upon this subject, of not even knowing what the Beautiful (Honourable) is. How can you (he says), being ignorant what the Beautiful is, know who has set out a discourse beautifully and who has not — who has performed a beautiful exploit and who has not? Since you are in a condition so disgraceful, can you think life better for you than death? Such then is my fate — to hear disparagement and reproaches from you on the one side, and from him on the other. Necessity however perhaps requires that I should endure all these discomforts: for it will be nothing strange if I profit by them. Indeed I think that I have already profited both by your society, Hippias, and by his: for I now think that I know what the proverb means — Beautiful (Honourable) things are difficult.”42

Rhetoric against Dialectic.

Here is a suitable termination for one of the Dialogues of Search: “My mind has been embarrassed by contradictions as yet unreconciled, but this is a stage indispensable to future improvement”. We have moreover an interesting passage of arms between Rhetoric and Dialectic: two contemporaneous and contending agencies, among the stirring minds of Athens, in the time of Plato and Isokrates. The Rhetor accuses the Dialectician of departing from the conditions of reality — of breaking up the integrity of those concretes, which occur in nature each as continuous and indivisible wholes. Each of the analogous particular cases forms a continuum or concrete by itself, which may be compared with the others, but cannot be taken to pieces, and studied in separate fragments.43 The Dialectician on his side treats the Abstract (τὸ καλὸν) as the real Integer, and the highest abstraction as the first of all integers, containing in itself and capable of evolving all the subordinate integers: the various accompaniments, which go along with each Abstract to make up a concrete, he disregards as shadowy and transient disguises.

Men who dealt with real life, contrasted with the speculative and analytical philosophers.

Hippias accuses Sokrates of never taking into his view Wholes, 53and of confining his attention to separate parts and fragments, obtained by logical analysis and subdivision. Aristophanes, when he attacks the Dialectic of Sokrates, takes the same ground, employing numerous comic metaphors to illustrate the small and impalpable fragments handled, and the subtle transpositions which they underwent in the reasoning. Isokrates again deprecates the over-subtlety of dialectic debate, contrasting it with discussions (in his opinion) more useful; wherein entire situations, each with its full clothing and assemblage of circumstances, were reviewed and estimated.44 All these are protests, by persons accustomed to deal with real life, and to talk to auditors both numerous and commonplace, against that conscious analysis and close attention to general and abstract terms, which Sokrates first insisted on and transmitted to his disciples. On the other side, we have the emphatic declaration made by the Platonic Sokrates (and made still earlier by the Xenophontic45 or historical Sokrates) — That a man was not fit to talk about beautiful things in the concrete — that he had no right to affirm or deny that attribute, with respect to any given subject — that he was not even fit to live unless he could explain what was meant by The Beautiful, or Beauty in the abstract. Here are two distinct and conflicting intellectual habits, the antithesis between which, indicated in this dialogue, is described at large and forcibly in the Theætêtus.46

Concrete Aggregates — abstract or logical Aggregates. Distinct aptitudes required by Aristotle for the Dialectician.

When Hippias accuses Sokrates of neglecting to notice Wholes or Aggregates, this is true in the sense of Concrete Wholes — the phenomenal sequences and co-existences, perceived by sense or imagined. But the Universal (as Aristotle says)47 is one kind of Whole: a Logical 54Whole, having logical parts. In the minds of Sokrates and Plato, the Logical Whole separable into its logical parts and into them only, were preponderant.

Antithesis of Absolute and Relative, here brought into debate by Plato, in regard to the Idea of Beauty.

One other point deserves peculiar notice, in the dialogue under our review. The problem started is, What is the Beautiful — the Self-Beautiful, or Beauty per se: and it is assumed that this must be Something,48 that from the accession of which, each particular beautiful thing becomes beautiful. But Sokrates presently comes to make a distinction between that which is really beautiful and that which appears to be beautiful. Some things (he says) appear beautiful, but are not so in reality: some are beautiful, but do not appear so. The problem, as he states it, is, to find, not what that is which makes objects appear beautiful, but what it is that makes them really beautiful. This distinction, as we find it in the language of Hippias, is one of degree only:49 that is beautiful which appears so to every one and at all times. But in the language of Sokrates, the distinction is radical: to be beautiful is one thing, to appear beautiful is another; whatever makes a thing appear beautiful without being so in reality, is a mere engine of deceit, and not what Sokrates is enquiring for.50 The Self-Beautiful or real Beauty is so, whether any one perceives it to be beautiful or not: it is an Absolute, which exists per se, having no relation to any sentient or percipient subject.51 At any rate, such is the manner in which Plato 55conceives it, when he starts here as a problem to enquire, What it is.

Herein we note one of the material points of disagreement between Plato and his master: for Sokrates (in the Xenophontic Memorabilia) affirms distinctly that Beauty is altogether relative to human wants and appreciations. The Real and Absolute, on the one hand, wherein alone resides truth and beauty — as against the phenomenal and relative, on the other hand, the world of illusion and meanness — this is an antithesis which we shall find often reproduced in Plato. I shall take it up more at large, when I come to discuss his argument against Protagoras in the Theætêtus.

Hippias Minor — characters and situation supposed.

I now come to the Lesser Hippias: in which (as we have already seen in the Greater) that Sophist is described by epithets, affirming varied and extensive accomplishments, as master of arithmetic, geometry, astronomy, poetry (especially that of Homer), legendary lore, music, metrical and rhythmical diversities, &c. His memory was prodigious, and he had even invented for himself a technical scheme for assisting memory. He had composed poems, epic, lyric, and tragic, as well as many works in prose: he was, besides, a splendid lecturer on ethical and political subjects, and professed to answer any question which might be asked. Furthermore, he was skilful in many kinds of manual dexterity: having woven his own garments, plaited his own girdle, made his own shoes, engraved his own seal-ring, and fabricated for himself a curry-comb and oil-flask.52 Lastly, he is described as wearing fine and showy apparel. What he is made to say is rather in harmony with this last point of character, than with the preceding. He talks with silliness and presumption, so as to invite and excuse the derisory sting of Sokrates, There is a third interlocutor, Eudikus: but he says very little, and other auditors are alluded to generally, who say nothing.53

56 Hippias has just delivered a lecture, in which he extols Achilles as better than Odysseus — the veracious and straightforward hero better than the mendacious and crafty.

In the Hippias Minor, that Sophist appears as having just concluded a lecture upon Homer, in which he had extolled Achilles as better than Odysseus: Achilles being depicted as veracious and straightforward, Odysseus as mendacious and full of tricks. Sokrates, who had been among the auditors, cross-examines Hippias upon the subject of this affirmation.

Homer (says Hippias) considers veracious men, and mendacious men, to be not merely different, but opposite: and I agree with him. Permit me (Sokrates remarks) to ask some questions about the meaning of this from you, since I cannot ask any from Homer himself. You will answer both for yourself and him.54

57Mendacious men (answers Hippias, to a string of questions, somewhat prolix) are capable, intelligent, wise: they are not incapable or ignorant. If a man be incapable of speaking falsely, or ignorant, he is not mendacious. Now the capable man is one who can make sure of doing what he wishes to do, at the time and occasion when he does wish it, without let or hindrance.55

This is contested by Sokrates. The veracious man and the mendacious man are one and the same — the only man who can answer truly if he chooses, is he who can also answer falsely if he chooses, i.e. the knowing man — the ignorant man cannot make sure of doing either the one or the other.

You, Hippias (says Sokrates), are expert on matters of arithmetic: you can make sure of answering truly any question put to you on the subject. You are better on the subject than the ignorant man, who cannot make sure of doing the same. But as you can make sure of answering truly, so likewise you can make sure of answering falsely, whenever you choose to do so. Now the ignorant man cannot make sure of answering falsely. He may, by reason of his ignorance, when he wishes to answer falsely, answer truly without intending it. You, therefore, the intelligent man and the good in arithmetic, are better than the ignorant and the bad for both purposes — for speaking falsely, and for speaking truly.56

Analogy of special arts — it is only the arithmetician who can speak falsely on a question of arithmetic when he chooses.

What is true about arithmetic, is true in other departments also. The only man who can speak falsely whenever he chooses is the man who can speak truly whenever he chooses. Now, the mendacious man, as we agreed, is the man who can speak falsely whenever he chooses. Accordingly, the mendacious man, and the veracious man, are the same. They are not different, still less opposite: nay, the two epithets belong only to one and the same person. The veracious man is not better than the mendacious — seeing that he is one and the same.57

58You see, therefore, Hippias, that the distinction, which you drew and which you said that Homer drew, between Achilles and Odysseus, will not hold. You called Achilles veracious, and Odysseus, mendacious: but if one of the two epithets belongs to either of them, the other must belong to him also.58

View of Sokrates respecting Achilles in the Iliad. He thinks that Achilles speaks falsehood cleverly. Hippias maintains that if Achilles ever speaks falsehood, it is with an innocent purpose, whereas Odysseus does the like with fraudulent purpose.

Sokrates then tries to make out that Achilles speaks falsehood in the Iliad, and speaks it very cleverly, because he does so in a way to escape detection from Odysseus himself. To this Hippias replies, that if Achilles ever speaks falsehood, he does it innocently, without any purpose of cheating or injuring any one; whereas the falsehoods of Odysseus are delivered with fraudulent and wicked intent.59 It is impossible (he contends) that men who deceive and do wrong wilfully and intentionally, should be better than those who do so unwillingly and without design. The laws deal much more severely with the former than with the latter.60

Issue here taken — Sokrates contends that those who hurt, or cheat, or lie wilfully, are better than those who do the like unwillingly — he entreats Hippias to enlighten him and answer his questions.

Upon this point, Hippias (says Sokrates), I dissent from you entirely. I am, unhappily, a stupid person, who cannot find out the reality of things: and this appears plainly enough when I come to talk with wise men like you, for I always find myself differing from you. My only salvation consists in my earnest anxiety to put questions and learn from you, and in my gratitude for your answers and teaching. I think that those who hurt mankind, or cheat, or lie, or do wrong, wilfully — are better than those who do the same unwillingly. Sometimes, indeed, from my stupidity, the opposite view presents itself to me, and I become confused: but now, after talking with you, the fit of confidence has come round upon me again, to pronounce and characterise the persons who do wrong unwillingly, as worse than those who do wrong wilfully. I entreat you to heal this disorder of my 59mind. You will do me much more good than if you cured my body of a distemper. But it will be useless for you to give me one of your long discourses: for I warn you that I cannot follow it. The only way to confer upon me real service, will be to answer my questions again, as you have hitherto done. Assist me, Eudikus, in persuading Hippias to do so.

Assistance from me (says Eudikus) will hardly be needed, for Hippias professed himself ready to answer any man’s questions.

Yes — I did so (replies Hippias) — but Sokrates always brings trouble into the debate, and proceeds like one disposed to do mischief.

Eudikus repeats his request, and Hippias, in deference to him, consents to resume the task of answering.61

Questions of Sokrates — multiplied analogies of the special arts. The unskilful artist, who runs, wrestles, or sings badly, whether he will or not, is worse than the skilful, who can sing well when he chooses, but can also sing badly when he chooses.

Sokrates then produces a string of questions, with a view to show that those who do wrong wilfully, are better than those who do wrong unwillingly. He appeals to various analogies. In running, the good runner is he who runs quickly, the bad runner is he who runs slowly. What is evil and base in running is, to run slowly. It is the good runner who does this evil wilfully: it is the bad runner who does it unwillingly.62 The like is true about wrestling and other bodily exercises. He that is good in the body, can work either strongly or feebly, — can do either what is honourable or what is base; so that when he does what is base, he does it wilfully. But he that is bad in the body does what is base unwillingly, not being able to help it.63

What is true about the bodily movements depending upon strength, is not less true about those depending on grace and elegance. To be wilfully ungraceful, belongs only to the well-constituted body: none but the badly-constituted body is ungraceful without wishing it. The same, also, about the feet, voice, eyes, ears, nose: of these organs, those which act badly through will and intention, are preferable to those which act badly without will or intention. Lameness of feet is a misfortune60 and disgrace: feet which go lame only by intention are much to be preferred.64

Again, in the instruments which we use, a rudder or a bow, — or the animals about us, horses or dogs, — those are better with which we work badly when we choose; those are worse, with which we work badly without design, and contrary to our own wishes.

It is better to have the mind of a bowman who misses his mark only by design, than that of one who misses even when he intends to hit.

It is better to have the mind of a bowman who misses his mark by design, than that of one who misses when he tries to hit. The like about all other arts — the physician, the harper, the flute-player. In each of these artists, that mind is better, which goes wrong only wilfully — that mind is worse, which goes wrong unwillingly, while wishing to go right. In regard to the minds of our slaves, we should all prefer those which go wrong only when they choose, to those which go wrong without their own choice.65

Having carried his examination through this string of analogous particulars, and having obtained from Hippias successive answers — “Yes — true in that particular case,” Sokrates proceeds to sum up the result:—

Sokr. — Well! should we not wish to have our own minds as good as possible? Hip. — Yes. Sokr. — We have seen that they will be better if they do mischief and go wrong wilfully, than if they do so unwillingly? Hip. — But it will be dreadful, Sokrates, if the willing wrong-doers are to pass for better men than the unwilling.

Dissent and repugnance of Hippias.

Sokr. — Nevertheless — it seems so: from what we have said. Hip. — It does not seem so to me. Sokr. — I thought that it would have seemed so to you, as it does to me. However, answer me once more — Is not justice either a certain mental capacity? or else knowledge? or both together?66 Hip. — Yes! it is. Sokr. — If justice be a capacity of the mind, the more capable mind will also be the juster: and we have already seen that the more capable soul is the better. Hip. — We have. Sokr. — If it be knowledge, the more knowing or wiser 61mind will of course be the juster: if it be a combination of both capacity and knowledge, that mind which is more capable as well as more knowing, — will be the juster that which is less capable and less knowing, will be the more unjust. Hip. — So it appears. Sokr. — Now we have shown that the more capable and knowing mind is at once the better mind, and more competent to exert itself both ways — to do what is honourable as well as what is base — in every employment. Hip. — Yes. Sokr. — When, therefore, such a mind does what is base, it does so wilfully, through its capacity or intelligence, which we have seen to be of the nature of justice? Hip. — It seems so. Sokr. — Doing base things, is acting unjustly: doing honourable things, is acting justly. Accordingly, when this more capable and better mind acts unjustly, it will do so wilfully; while the less capable and worse mind will do so without willing it? Hip. — Apparently.

Conclusion — That none but the good man can do evil wilfully: the bad man does evil unwillingly. Hippias cannot resist the reasoning, but will not accept the conclusion — Sokrates confesses his perplexity.

Sokr. — Now the good man is he that has the good mind: the bad man is he that has the bad mind. It belongs therefore to the good man to do wrong wilfully, to the bad man, to do wrong without wishing it — that is, if the good man be he that has the good mind? Hip. — But that is unquestionable — that he has it. Sokr. — Accordingly, he that goes wrong and does base and unjust things wilfully, if there be any such character — can be no other than the good man. Hip. — I do not know how to concede that to you, Sokrates.67 Sokr. — Nor I, how to concede it to myself, Hippias: yet so it must appear to us, now at least, from the past debate. As I told you long ago, I waver hither and thither upon this matter; my conclusions never remain the same. No wonder indeed that I and other vulgar men waver; but if you wise men waver also, that becomes a fearful mischief even to us, since we cannot even by coming to you escape from our embarrassment.68

I will here again remind the reader, that in this, as in the other dialogues, the real speaker is Plato throughout: and that 62it is he alone who prefixes the different names to words determined by himself.

Remarks on the dialogue. If the parts had been inverted, the dialogue would have been cited by critics as a specimen of the sophistry and corruption of the Sophists.

Now, if the dialogue just concluded had come down to us with the parts inverted, and with the reasoning of Sokrates assigned to Hippias, most critics would probably have produced it as a tissue of sophistry justifying the harsh epithets which they bestow upon the Athenian Sophists — as persons who considered truth and falsehood to be on a par — subverters of morality — and corruptors of the youth of Athens.69 But as we read it, all that, which in the mouth of Hippias would have passed for sophistry, is here put forward by Sokrates; while Hippias not only resists his conclusions, and adheres to the received ethical sentiment tenaciously, even when he is unable to defend it, but hates the propositions forced upon him, protests against the perverse captiousness of Sokrates, and requires much pressing to induce him to continue the debate. Upon the views adopted by the critics, Hippias ought to receive credit for this conduct, as a friend of virtue and morality. To me, such reluctance to debate appears a defect rather than a merit; but I cite the dialogue as illustrating what I have already said in another place — that 63Sokrates and Plato threw out more startling novelties in ethical doctrine, than either Hippias or Protagoras, or any of the other persons denounced as Sophists.

Polemical purpose of the dialogue — Hippias humiliated by Sokrates.

That Plato intended to represent this accomplished Sophist as humiliated by Sokrates, is evident enough: and the words put into his mouth are suited to this purpose. The eloquent lecturer, so soon as his admiring crowd of auditors has retired, proves unable to parry the questions of a single expert dialectician who remains behind, upon a matter which appears to him almost self-evident, and upon which every one (from Homer downward) agrees with him. Besides this, however, Plato is not satisfied without making him say very simple and absurd things. All this is the personal, polemical, comic scope of the dialogue. It lends (whether well-placed or not) a certain animation and variety, which the author naturally looked out for, in an aggregate of dialogues all handling analogous matters about man and society.

But though the polemical purpose of the dialogue is thus plain, its philosophical purpose perplexes the critics considerably. They do not like to see Sokrates employing sophistry against the Sophists: that is, as they think, casting out devils by the help of Beelzebub. And certainly, upon the theory which they adopt, respecting the relation between Plato and Sokrates on one side, and the Sophists on the other, I think this dialogue is very difficult to explain. But I do not think it is difficult, upon a true theory of the Platonic writings.

Philosophical purpose of the dialogue — theory of the Dialogues of Search generally, and of Knowledge as understood by Plato.

In a former chapter, I tried to elucidate the general character and purpose of those Dialogues of Search, which occupy more than half the Thrasyllean Canon, and of which we have already reviewed two or three specimens — Euthyphron, Alkibiadês, &c. We have seen that they are distinguished by the absence of any affirmative conclusion: that they prove nothing, but only, at the most, disprove one or more supposable solutions: that they are not processes in which one man who knows communicates his knowledge to ignorant hearers, but in which all are alike ignorant, and all are employed, either in groping, or guessing, or testing the guesses of the rest. We have farther seen that the value of these 64Dialogues depends upon the Platonic theory about knowledge; that Plato did not consider any one to know, who could not explain to others all that he knew, reply to the cross-examination of a Sokratic Elenchus, and cross-examine others to test their knowledge: that knowledge in this sense could not be attained by hearing, or reading, or committing to memory a theorem, together with the steps of reasoning which directly conducted to it: — but that there was required, besides, an acquaintance with many counter-theorems, each having more or less appearance of truth; as well as with various embarrassing aspects and plausible delusions on the subject, which an expert cross-examiner would not fail to urge. Unless you are practised in meeting all the difficulties which he can devise, you cannot be said to know. Moreover, it is in this last portion of the conditions of knowledge, that most aspirants are found wanting.

The Hippias is an exemplification of this theory — Sokrates sets forth a case of confusion, and avows his inability to clear it up. Confusion shown up in the Lesser Hippias — Error in the Greater.

Now the Greater and Lesser Hippias are peculiar specimens of these Dialogues of Search, and each serves the purpose above indicated. The Greater Hippias enumerates a string of tentatives, each one of which ends in acknowledged failure: the Lesser Hippias enunciates a thesis, which Sokrates proceeds to demonstrate, by plausible arguments such as Hippias is forced to admit. But though Hippias admits each successive step, he still mistrusts the conclusion, and suspects that he has been misled — a feeling which Plato70 describes elsewhere as being frequent among the respondents of Sokrates. Nay, Sokrates himself shares in the mistrust — presents himself as an unwilling propounder of arguments which force themselves upon him,71 and complains of his own mental embarrassment. Now you may call this sophistry, if you please; and you may silence 65its propounders by calling them hard names. But such ethical prudery — hiding all the uncomfortable logical puzzles which start up when you begin to analyse an established sentiment, and treating them as non-existent because you refuse to look at them — is not the way, to attain what Plato calls knowledge. If there be any argument, the process of which seems indisputable, while yet its conclusion contradicts, or seems to contradict, what is known, upon other evidence — the full and patient analysis of that argument is indispensable, before you can become master of the truth and able to defend it. Until you have gone through such analysis, your mind must remain in that state of confusion which is indicated by Sokrates at the end of the Lesser Hippias. As it is a part of the process of Search, to travel in the path of the Greater Hippias — that is, to go through a string of erroneous solutions, each of which can be proved, by reasons shown, to be erroneous: so it is an equally important part of the same process, to travel in the path of the Lesser Hippias — that is, to acquaint ourselves with all those arguments, bearing on the case, in which two contrary conclusions appear to be both of them plausibly demonstrated, and in which therefore we cannot as yet determine which of them is erroneous — or whether both are not erroneous. The Greater Hippias exhibits errors, — the Lesser Hippias puts before us confusion. With both these enemies the Searcher for truth must contend: and Bacon tells us, that confusion is the worst enemy of the two — “Citius emergit veritas ex errore, quam ex confusione”. Plato, in the Lesser Hippias, having in hand a genuine Sokratic thesis, does not disdain to invest Sokrates with the task (sophistical, as some call it, yet not the less useful and instructive) of setting forth at large this case of confusion, and avowing his inability to clear it up. It is enough for Sokrates that he brings home the painful sense of confusion to the feelings of his hearer as well as to his own. In that painful sentiment lies the stimulus provocative of farther intellectual effort.72 The dialogue ends but the process of search, far from ending along with it, is emphatically declared to be unfinished, and, to be 66in a condition not merely unsatisfactory but intolerable, not to be relieved except by farther investigation, which thus becomes a necessary sequel.

There are two circumstances which lend particular interest to this dialogue — Hippias Minor. 1. That the thesis out of which the confusion arises, is one which we know to have been laid down by the historical Sokrates himself. 2. That Aristotle expressly notices this thesis, as well as the dialogue in which it is contained, and combats it.

The thesis maintained here by Sokrates, is also affirmed by the historical Sokrates in the Xenophontic Memorabilia.

Sokrates in his conversation with the youthful Euthydemus (in the Xenophontic Memorabilia) maintains, that of two persons, each of whom deceives his friends in a manner to produce mischief, the one who does so wilfully is not so unjust as the one who does so unwillingly.73 Euthydemus (like Hippias in this dialogue) maintains the opposite, but is refuted by Sokrates; who argues that justice is a matter to be learnt and known like letters; that the lettered man, who has learnt and knows letters, can write wrongly when he chooses, but never writes wrongly unless he chooses — while it is only the unlettered man who writes wrongly unwillingly and without intending it: that in like manner the just man, he that has learnt and knows justice, never commits injustice unless when he intends it — while the unjust man, who has not learnt and does not know justice, commits injustice whether he will or not. It is the just man therefore, and none but the just man (Sokrates maintains), who commits injustice knowingly and wilfully: it is the unjust man who commits injustice without wishing or intending it.74

This is the same view which is worked out by the Platonic Sokrates in the Hippias Minor: beginning with the antithesis between the veracious and mendacious man (as Sokrates begins in Xenophon); and concluding with the general result — that it 67belongs to the good man to do wrong wilfully, to the bad man to do wrong unwillingly.

Aristotle combats the thesis. Arguments against it.

Aristotle,75 in commenting upon this doctrine of the Hippias Minor, remarks justly, that Plato understands the epithets veracious and mendacious in a sense different from that which they usually bear. Plato understands the words as designating one who can tell the truth if he chooses — one who can speak falsely if he chooses: and in this sense he argues plausibly that the two epithets go together, and that no man can be mendacious unless he be also veracious. Aristotle points out that the epithets in their received meaning are applied, not to the power itself, but to the habitual and intentional use of that power. The power itself is doubtless presupposed or implied as one condition to the applicability of the epithets, and is one common condition to the applicability of both epithets: but the distinction, which they are intended to draw, regards the intentions and dispositions with which the power is employed. So also Aristotle observes that Plato’s conclusion — “He that does wrong wilfully is a better man than he that does wrong unwillingly,” is falsely collected from induction or analogy. The analogy of the special arts and accomplishments, upon which the argument is built, is not applicable. Better has reference, not to the amount of intelligence but to the dispositions and habitual intentions; though it presupposes a certain state and amount of intelligence as indispensable.

Mistake of Sokrates and Plato in dwelling too exclusively on the intellectual conditions of human conduct.

Both Sokrates and Plato (in many of his dialogues) commit the error of which the above is one particular manifestation — that of dwelling exclusively on the intellectual conditions of human conduct,76 and omitting to give proper attention to the emotional and volitional, as essentially co-operating or preponderating in the complex meaning of ethical attributes. The reasoning ascribed to the Platonic Sokrates in the Hippias 68Minor exemplifies this one-sided view. What he says is true, but it is only a part of the truth. When he speaks of a person “who does wrong unwillingly,” he seems to have in view one who does wrong without knowing that he does so: one whose intelligence is so defective that he does not know when he speaks truth and when he speaks falsehood. Now a person thus unhappily circumstanced must be regarded as half-witted or imbecile, coming under the head which the Xenophontic Sokrates called madness:77 unfit to perform any part in society, and requiring to be placed under tutelage. Compared with such a person, the opinion of the Platonic Sokrates may be defended — that the mendacious person, who can tell truth when he chooses, is the better of the two in the sense of less mischievous or dangerous. But he is the object of a very different sentiment; moreover, this is not the comparison present to our minds when we call one man veracious, another man mendacious. We always assume, in every one, a measure of intelligence equal or superior to the admissible minimum; under such assumption, we compare two persons, one of whom speaks to the best of his knowledge and belief, the other, contrary to his knowledge and belief. We approve the former and disapprove the latter, according to the different intention and purpose of each (as Aristotle observes); that is, looking at them under the point of view of emotion and volition — which is logically distinguishable from the intelligence, though always acting in conjunction with it.

They rely too much on the analogy of the special arts — They take no note of the tacit assumptions underlying the epithets of praise and blame.

Again, the analogy of the special arts, upon which the Platonic Sokrates dwells in the Hippias Minor, fails in sustaining his inference. By a good runner, wrestler, harper, singer, speaker, &c., we undoubtedly mean one who can, if he pleases, perform some one of these operations well; although he can also, if he pleases, perform them badly. But the epithets good or bad, in this case, consider exclusively that element which was left out, and leave out that element which was exclusively considered, in the former case. The good singer is declared to stand distinguished from the bad 69singer, or from the ἰδιώτης, who, if he sings at all, will certainly sing badly, by an attribute belonging to his intelligence and vocal organs. To sing well is a special accomplishment, which is possessed only by a few, and which no man is blamed for not possessing. The distinction between such special accomplishments, and justice or rectitude of behaviour, is well brought out in the speech which Plato puts into the mouth of the Sophist Protagoras.78 “The special artists (he says) are few in number: one of them is sufficient for many private citizens. But every citizen, without exception, must possess justice and a sense of shame: if he does not, he must be put away as a nuisance — otherwise, society could not be maintained.” The special artist is a citizen also; and as such, must be subject to the obligations binding on all citizens universally. In predicating of him that he is good or bad as a citizen, we merely assume him to possess the average intelligence, of the community; and the epithet declares whether his emotional and volitional attributes exceed, or fall short of, the minimum required in the application of that intelligence to his social obligations. It is thus that the words good or bad when applied to him as a citizen, have a totally different bearing from that which the same words have when applied to him in his character of special artist.

Value of a Dialogue of Search, that it shall be suggestive, and that it shall bring before us different aspects of the question under review.

The value of these debates in the Platonic dialogues consists in their raising questions like the preceding, for the reflection of the reader — whether the Platonic Sokrates may or may not be represented as taking what we think the right view of the question. For a Dialogue of Search, the great merit is, that it should be suggestive; that it should bring before our attention the conditions requisite for a right and proper use of these common ethical epithets, and the state of circumstances which is tacitly implied whenever any one uses them. No man ever learns to reflect upon the meaning of such familiar epithets, which he has been using all his life — unless the process be forced upon his attention by some special conversation which brings home to him an uncomfortable sentiment of perplexity and contradiction. If a man intends to 70acquire any grasp of ethical or political theory, he must render himself master, not only of the sound arguments and the guiding analogies but also of the unsound arguments and the misleading analogies, which bear upon each portion of it.

Antithesis between Rhetoric and Dialectic.

There is one other point of similitude deserving notice, between the Greater and Lesser Hippias. In both of them, Hippias makes special complaint of Sokrates, for breaking the question in pieces and picking out the minute puzzling fragments — instead of keeping it together as a whole, and applying to it the predicates which it merits when so considered.79 Here is the standing antithesis between Rhetoric and Dialectic: between those unconsciously acquired mental combinations which are poured out in eloquent, impressive, unconditional, and undistinguishing generalities — and the logical analysis which resolves the generality into its specialities, bringing to view inconsistencies, contradictions, limits, qualifications, &c. I have already touched upon this at the close of the Greater Hippias.

[END OF CHAPTER XIII]

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